What I've Read This Week . . .
Aunt Celia by Jane Gillespie -- Austenesque Regency Romance
Claude & Camille: A Novel of Monet by Stephanie Cowell -- Historical Fiction
This is a fictionalized biography of one of the world's greatest painters and his great love, Camille. Young Oscar, as Claude's family called him, was a hothead who wanted nothing to do with his father's nautical supply business. He wanted to make art. At first his dream was to be the most successful caricaturist in France until a challenge from a local man has Monet taking up a brush and paints to capture color and light. It's difficult for Monet to capture what he sees as the light is always changing, but he enjoys the challenge and defies his family to move to Paris in order to pursue his art. In art school he meets a bunch of other young rebels: Frederic Bastille, Camille Pissaro, Jean Renoir, and others who feel about painting as he does. Frederic is torn between duty and desire but if he complies, his family money will keep them all painting until they achieve success. Monet has an eye for beauty, especially pretty girls. A chance encounter at a train station of a lovely young girl longing to be free leads later to a love affair that defied the odds. The love young Camille Doncieux is a good girl from a good home. She's been to convent school and is supposed to marry a middle-aged man she doesn't love and follow in her older sister's footsteps. When Camille meets Monet in her uncle's bookshop, she is intrigued and agrees to model for the young painter. By their next meeting, they've fallen passionately in love and Camille is prepared to risk everything to be with Monet. Living with a poor, temperate artist isn't easy and sometimes Camille longs for the finer things in life. As Monet and the others struggle, Camille believes in them and encourages her beloved Claude. Camille, too, has dark hours and the couple are left wondering if they made the right choices. Claude, obsessed with painting, doesn't always seem to see his pretty wife or understand her needs until their darkest hours.
As a huge fan of the Impressionists, I was eager to read this book. I adored Susan Vreeland's Luncheon of the Boating Party and an endorsement from her on the cover made me want to read this book too. The story fell a little short of expectations. It's defined as a love story for the ages but it ends up being about two very selfish people who never really get to know each other. We're told early on that Camille had dark secrets and her sister accuses Monet of killing Camille by making her a part of his bohemian life. I kept turning the pages until the secrets were revealed and I felt a bit let down. Some of the secrets are not very shocking and it's fairly obvious to the modern reader what Camille's biggest secret is but it's not something that would have been understood at that time so I suppose it would have been shocking at the time to realize SPOILER in white text : one's wife was mentally ill. The big shock for me was that SPOILER ALERT (in white text follows) Frederic and Camille slept together and that Monet slept with Alice. Actually I sort of suspected something like that would happen with him given the Bohemian lifestyle but it marred the love story for me. Camille's death was also a bit of a let down given all the previous hints. What also marred the story was Monet's constant moodiness and stubbornness. I admire him for sticking to his passion because if not, the world would have have seen some of the most famous and well-loved paintings of all time. However, I felt Monet's stubbornness was at times really frustrating, especially from the point-of-view of a woman. I am not a wife or a mother but I can empathize with Camille and felt angry at Monet at times for not compromising! At least Renoir was painting portraits of children for money. The tone of the voice of this novel is very modern and the writing is somewhat simplistic and mostly uninspiring except for a few passages here and there. I would have preferred a more nineteenth century voice. I also disliked the semi-graphic love scenes. You may skip them if you wish. Only the first time with Camille was necessary to describe their feelings and one other time later in the novel. What I did love about this novel is getting to know Monet and learning some of the creative process that went into his most famous paintings and the interactions between the artists. I would have preferred more of that. This book is OK but not great. I would recommend Luncheon of the Boating Party by Susan Vreeland instead. She is better able to get inside the heads of the characters and make the come alive to capture an important moment in time.
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