Showing posts with label Edith Wharton. Show all posts
Showing posts with label Edith Wharton. Show all posts

Tuesday, January 26, 2016

What I Read in July 2015 Part IV

What I Read in July 2015 Part IV ...

The Age of Innocence by Edith Wharton --classic historical fiction/romance

The Age of Innocence In the earl 1870s New York society was populated with a handful of old monied families. They had a traditional outlook on life and did everything the way it always had been. Any ruffle in their staid little world was met with derision and ignored by the grands dames. Newland Archer is a dutiful son of Old New York. He's engaged to the beautiful, young and very innocent May Welland. It will be a marriage between two of the leading families as May is the granddaughter of Catherine Mingott, THE leader of Society. Newland can't wait to marry his lovely bride but May and her parents are reluctant to make the engagement official by announcing it. When May's cousin Ellen, the Countess Olenska, returns to New York minus her husband, tongues start wagging. It seems Ellen has left her husband and ran off with his secretary. That just isn't done! Newland feels sympathetic towards his old playmate. He resolves to stand by her, preferably as a member of the family. When Newland becomes reacquainted with Ellen he discovers that he is not so wed to tradition as he thought. In fact, he finds the restrictions of New York society boring and stifling. The more he sees Ellen, the more he feels connected to her, but it's too late for May has agreed to a spring wedding! Will Newland ever find happiness in the life he has chosen or will he have the courage to go against everything he has been brought up to believe? Ellen has high moral standards and would ensure Archer sticks to them if she can, but there may come a time when good sense yields to temptation. What to do then?

Well. I finished finally. This is not the most engaging of novels. Though it's set in the 1870s, it was written in the 1920s in a modern style. I had a hard time following the narrative. It skips around in time and features a lot of unspoken thoughts that follow on the heels of dialogue so the reader has to pay careful attention to the text. I had to go back and read entire chapters again because my mind had wandered or I wasn't paying close enough attention. The plot moves slowly but I was interested to see how it ended up. Overall I found the story slow and sad. I did not like the stifling society that operates with blinders on. I believe in plain speaking and would go crazy if I was subjected to the gossiping old biddies and their speculation. I could not put up with not speaking my mind. The historical details are incredible! Edith Wharton gives the reader the sense of being in a room and actually seeing the furnishings. She must have had an incredible memory! I especially enjoyed the Newport section, which I listened to on the bus ride to Newport. I learned a little something new about Newport in the Gilded Age which is not part of the official history.

As for the characters, I really did not like Newland. He is a poseur, not an authentic bohemian. He is one who is bemused and excited by something new but too lazy and self-indulgent to move beyond the borders of the traditional society in which he was raised. He's a total Mama's boy in the beginning and doesn't really experience positive character growth. He does experience a revelation at the end - 26 years later and a few flashes of insight in-between. His insights don't mean much in the long run. Ellen represents the exotic and different life Newland wishes he had because he's so bored. I felt he acted very selfishly with Ellen. It was all about him and his feelings and not so much about her. I was so annoyed with him by the last few chapters. He rarely thought about how his actions would affect anyone else. He might long for passion but domesticity has a stronger pull on him. I did feel a twinge of sadness for him in the final chapter but it also illustrates his character.

Ellen is a much more appealing character. At first I wasn't sure if she was coldly calculating or if she sincerely longed for the staid, quiet lifestyle of Old New York. As the story went on, it became obvious that Ellen is her own person. She respects her grandmother and the traditions of Mrs. Mingott's society, but she also doesn't bow to the pressure of conformity. Even so, she doesn't yield to impulse. She has a good head on her shoulders and sticks to her strong morals. She encourages Newland to do the same. Ellen's character is more firm than Newland's. She knows what she has to do and does her best to ignore the gossip and speculation. She has a kind heart and cares a lot for her family. I especially liked her actions towards the end and what we're told about her in the final chapters, though it made me sad. I wish Edith Wharton had told us more about Ellen but the story is from Newland's point-o-view.

May is a somewhat sympathetic character but I also found her insanely irritating due to her limited outlook on life. I felt bad for her that she was unable to break free of the way she was raised. She also seemed to have limited intelligence due to lack of cultivation of her mind. May was exactly the way she was supposed to be - a copy of her mother. Yet Newland seemed to glimpse more in her than she was willing to let free. If only they actually talked to one another. I think if Newland had been more committed to cultivating their relationship and getting to know each other, she may have been able to grow and adapt to the changing society. She represents Wharton's commentary on the education of girls in her youth and how limiting it was. The women in this novel also represent Wharton's views on marriage.

My favorite character was old Mrs. Mingott. She reminded me a bit of Lady Violet in Downton Abbey. She rules over a traditional society but also has some quirks that set her apart from her friends and relations. She acts according to he own whims and she loves her family and wants them to be happy. She also provides the story with a bit of comic relief.

I would recommend this to people interested in 19th century American life, and those interested in Old New York. If you want to understand Mrs. Astor, you need to read this book. I would also suggest adult fans of the American Girl Samantha series read this novel to better understand Samantha's GrandMary! GrandMary seems to be a product of Old New York and Cornelia represents the next generation represented in the final chapter of this novel. 

Saturday, February 11, 2012

The Bucaneers

The Bucaneers

by Edith Wharton

Being curious about Lady Grantham, an American heiress who married an English Earl on OBS' Downton Abbey, I picked up Edith's Whaton's last novel The Bucaneers. This novel and PBS mini-series (which I watched at the same time as reading the book) is about women like Cora, Lady Grantham. The story opens in Saratoga (or Newport in the mini-series) in the 1870s where new money people congregate in the summer months because they were not welcome in Newport. The heroine is dreamy sixteen-year-old Annabel "Nan" St. George. Nan is a bit jealous of her older sister Virginia and friends Lizzie and Mabel Elmsworth for being "out" and able to attend parties and balls, though the invitations are not forthcoming due to the lack of eligible men. Nan is befriended by the dashing Conchita Closson. Conchita was raised in Brazil and is now doing a season in Saratoga with her mother, step-father and brother. The Clossons are not generally accepted in polite society for their shocking behavior. Mrs. Closson is rumored to be a divorcee who smokes cigars and Conchita smokes cigarettes, dances with her skirts hiked up and behaves loudly and brashly. Mrs. St. George hires an English governess, Laura Testvalley, to come and refine Nan to keep the girl away from Conchita's influence. However, Mr. St. George has business dealings with Mr. Closson and needs the women to cultivate a friendship. At first Nan is resistant to the idea of having a governess, but the passionate Italian-Englishwoman shares her kind heart and love of romantic poetry and art with her young pupil. Miss Testvalley isn't the only English person in Saratoga. Richard Marable, a younger son of the Marquess of Brightleasea (you must pronounce it "Brittlesee") is also in Saratgoa. His head is quickly turned by the vivacious Conchita and soon a wedding is in the works. Dick Marable helps Conchita's friends orchestrate a scheme that will get them invited to rub elbows with the most select people. Unfortunately, the result is a practical joke that goes wrong and the St. George and Ellmsworth girls are snubbed. Miss Testvalley suggests the girls go to London for a season. The girls will acquire some much-needed social cachet and perhaps even find husbands.


The rest of the book takes place in England where the girls succeed beyond Miss Testvalley's wildest dreams. With the help of Miss Testvalley's American friend, Miss March, and Conchita, now Lady Richard Marable, the girls are introduced to the most eligible gentlemen including Dick's older brother Lord Seadown and Ushant, the Duke of Tintagel. They also meet an ineligible gentleman, Guy Thwarte, who needs a fortune and fast. Only Guy understands dreamy Annabel and her deep interest in life beyond material objects. Yet even Annabel gets caught up in the gaiety of life in England. The young women quickly discover that life is not a fairy tale. The old dowagers look down on the forward, free-speaking Americans, the gentlemen are not always what they seem and money is always always an issue. 

The novel remained uncompleted at Edith Wharton's death. I read a version completed by Marion Mainwaring based on Wharton's original synopsis. The book was adapted for television by BBC and aired on PBS's Masterpiece Theater in 1995-1996.



There are numerous differences between the mini-series and the book as there usually are. In this case I believe the mini-series is better because it explains a lot more of the social and political nuances and exactly what the term "bucaneers" means. It illuminates the differences between the loud "new money" Americans and the staidness of traditional upper class English life. Even the villains come across as sympathetic once the viewer understands exactly what their lives have been like and how dependent they are upon the rules that govern society. Also, the book is filled with lengthy internal monologues that slow the story down considerably. Plus the mini-series has fabulous costumes (though the ladies spent a lot of time in their undergarments) and beautiful scenery. I recommend doing what I did and reading Part I of the book, then watching episode 1, and then returning to the book and then the DVD. Both the book and the miniseries are much better when taken together. I got a much better understanding of the nuances of the story that way. I think that those who like Edith Wharton, Elizabeth Gaskell and other nineteenth and early twentieth century novelists will enjoy this story too.